Skip to main content
Wang ZhiyuanAIGC Film Creator

AIGC Film Creator

Exploring more crafted forms of narrative imagery.

View work
Static illustrated creator portrait with a vintage film camera, clapperboard, helmet, and Scrambler motorcycle cues
Scroll to explore
02 / 07
  1. He Thought I Would Always Wait

    • Complete production
    • AI live-action drama
    • End-to-end production

    A completed ten-episode AI live-action drama with an existing total runtime of approximately 15 minutes 33 seconds, tracing the evidence chain from script understanding and visual assets through camera and storyboard planning to the final film.

    End-to-end production

    He Thought I Would Always Wait
  2. Reborn Sister Took My Beastman Mates

    • Visual development complete
    • Video production not started

    Character and costume, environment, prop, and horse or creature asset development is complete. The case study focuses on the photoreal character system, costume development, and world building; video production has not started.

    End-to-end production

    Reborn Sister Took My Beastman Mates
03 / 07

From asset to final shot

He Thought I Would Always Wait

  1. Character design of Yara in her everyday professional outfitAsset
  2. Environment concept for the Hale Group's tall corporate lobbyStoryboard
  3. Shot plan showing the chairman's position relative to the other charactersFinal shot
04 / 07

Visual development system

Reborn Sister Took My Beastman Mates

  1. Character artwork of Valerius dressed for the weddingCharacter
  2. Costume design for Chloe's second soft nightwear lookWardrobe
  3. Exterior environment concept of White Lion Castle among snowy mountainsWorld
05 / 07

Production process

  1. Script understanding

    Clarify the narrative goal and establish a visual direction for characters, worlds, and shots.

  2. Character development

    Build photoreal characters and looks that correspond to narrative stages.

  3. Environments and props

    Develop visual assets that support story space, atmosphere, and action.

  4. Storyboard and shot planning

    Translate the narrative into camera plans, storyboards, and executable shot sequences.

  5. AI video generation

    Generate moving images from established characters, environments, and shot plans.

  6. Post-production integration

    Integrate generated shots and complete the post-production required for a continuous narrative.

06 / 07

About me

  1. Brand creative and event planning

    Developed creative planning, visual judgment, copywriting, and project-delivery capabilities.

  2. End-to-end AIGC film practice

    Transferred creative and coordination experience into hands-on AI film production.

  3. Premium AI narrative exploration

    Continuing to learn toward higher-quality AI drama and broader narrative filmmaking.

07 / 07

Contact

Open to conversations with film companies, creative teams, and collaborators exploring AI narrative moving images.